All in all, brains aren’t really scary – at least up until that moment when you see one pick up a hammer with its spinal cord and come flying at you.
If horror films have taught us anything, it’s that you should always be suspicious of a really good real estate deal. is that house a gorgeous vision of Victorian craftsmanship on the market for peanuts? Don’t buy it, unless you plan to use it as a place to which you invite a group of apparent strangers with the promise that if they can survive spending one night in it, you’ll give them a million dollars.
Over on The Cultural Gutter, In This Green and Pleasant Land examines Children of the Stones, regarded to this day as one of the smartest, weirdest, scariest slices of children’s television programming ever produced.
The surreal swirl of stark futurism, psychedelia, and neon indulgence is…pleasantly overwhelming? Comfortably disturbing? Certainly it’s something that demands one’s attention even as it lulls you into a fugue state.
Over on the Cultural Gutter, I’m taking a look at Brian Lumley’s first three Titus Crow novels, in which he turns Lovecraft’s Cthulhu Mythos on its ear. Now Cthulhu is Blofeld examines Lumley’s preference for men of action, eschewing Lovecraft’s terrified academics in favor of two-fisted psychics flying around in magic clocks, shooting lasers at…
A crumbling ruin. A mist-shrouded forest. A lone samurai making his way home late at night meets a seemingly defenseless young woman. So begins the horror of Kaneto Shindô’s tale of ghosts, vengeance, and the wrongs visited upon women by entitled men.
In 1935, Fantasy magazine contracted five of the most popular pulp magazine authors to write a round-robin style story, with each contributing a page or two before passing it on to the next author. On The Cultural Gutter, The Challenge of the Challenge from Beyond looks at how these five accomplished professionals created something about as good…
Polish director Wojciech Has harbored no desire to make a political film. But in Poland under Soviet rule, where film promoting social realism was the mandate, not being political was the most political thing he could do.
A fairytale about a young girl attempting to navigate the many predators surrounding her becomes an allegory for the challenges of womanhood and the trials faced by then Czechoslovakia in the face of Soviet aggression.
I’m celebrating the 40th anniversary of The Rocky Horror Picture Show. The world doesn’t need another review of the movie, so Whatever Happened to Saturday Night? is instead a mini-memoir about my first time seeing the movie, at Louisville’s Vogue Theater in 1987
I hate the Spanish horror movie The Blood-Spattered Bride, but I still managed to involve myself in nearly two hours of talking about it on an episode of The Trashy Trio Podcast. OK, maybe 40 minutes was about The Blood-Spattered Bride.
A fan of silent serials and a precursor to the French Nouvelle Vague, Georges Franju was inspired by the early thrillers of Louis Feuillade when he made the haunting, at times shocking, story of a disfigured woman, a driven scientist, and the horror of physical beauty.