Fireball

Since the day Tony Jaa, Prachya Pinkaew, and Panna Rittikrai suddenly popped up on fight film fans’ radars, Thailand has become the go-to place for the hyperactive, bone-jarring, stunt filled, totally ridiculous style of film making that defined the Hong Kong action film industry in the 1980s. The arrival of Thailand on the martial arts…

Noble War

Sompote Sands is one of those figures in cult cinema who casts a long shadow. Granted it’s a shadow that twists around and warps into a demon like Calibos’ shadow in Clash of the Titans, but it’s a shadow never the less. Regarding the origin story of this supremely interesting and bizarre film maker, that…

Mercury Man

He can use this force to pull himself through the air, almost as if, oh, as if swinging from, let’s say some kind of web. Like a man who possesses some of the characteristics of a spider, perhaps.

Legend of the Tsunami Warrior

If there’s one lesson to take away from this lavish Thai swashbuckler, it is this: if you are a dick to whales, don’t go to war against a guy who is nice to whales and can also ask them for favors.

Shadow Music of Thailand

The title Shadow Music of Thailand evokes ideas of ancient and mysterious folk traditions. A CD with such a title, one might assume, could offer the listener a portal to arcane, culturally insular sounds that were never intended for Western ears. The truth, however, is a wee bit different.

Insee Thong

To judge the film by its shortcomings would be unfair, because the charms that would mitigate them — all of those things that are wonderful about Insee Thong — are less easy to fully appraise.

Hanuman and the 7 Ultramen

Ultraman was very popular in Thailand, and in 1973 Sompote Saengduenchai approached Tsubaraya Productions with the idea of co-producing a series of films that would team their heroes with figures from Thai folklore and mythology.