As the series begins, Quatermass and his team are in a quandary after their most recent manned space flight vanishes without a trace, only to turn up later when it crashes into a farmer’s field. Rushing to the site, Quatermass is baffled to discover that of the three astronauts launched into orbit, only one is still in the ship.
The greatest compliment you could pay an exploitation film is to say it looks like they designed the poster first and then recreated it on screen. This formulation describes Inframan perfectly. It is, in many ways, a perfect film, in that it is resoundingly successful in achieving what it sets out to do.
On the Cultural Gutter, Over the Moon, Comrade is my look at the Soviet science fiction adventure Cosmic Voyage and the film that inspired it, Fritz Lang’s Woman in the Moon.
On The Cultural Gutter, I’m fighting the Battle of the Brains, a look at the classic B-movie Fiend Without a Face.
On The Cultural Gutter, Kungfu-Powered Afrocyberpunk Pulp is a look at Steven Barnes’ 1983 novel Streetlethal, which is sort of cyberpunk meets Mack Bolan starring Luke Cage in a story about magic orgy mushrooms.
On the Cultural Gutter, we’re going on a tour of the universe via The Cosmic Crooner, all about Frank Sinatra’s bizarre Trilogy, a third of which is devoted to a swingin’ tour of the future.
On Cultural Gutter, I’m Neuromancin’ with Myself. The early 1990s was when I read Neuromancer. Into this maelstrom of personal evolution and conflicting feelings came Billy Idol’s Cyberpunk.