Eyes Without a Face

A fan of silent serials and a precursor to the French Nouvelle Vague, Georges Franju was inspired by the early thrillers of Louis Feuillade when he made the haunting, at times shocking, story of a disfigured woman, a driven scientist, and the horror of physical beauty.

Cultural Gutter: A Visit to Tativille

I have a new one up on The Cultural Gutter! Yesterday’s Tomorrow: A Visit to Tativille is a look at one of my all-time favorite films, 1958’s futurist farce Mon Oncle by Jacques Tati. Tati’s third film, and the second to feature the iconic character of M. Hulot, Mon Oncle is a film built largely on the shoulders…

Vampyr

Vampyr is a silent film with sound, a surreal parade of images that found itself caught uncomfortably in between the end of the silent era and the dawn of talkies. A critical and commercial failure in its day, it is never the less a stunning, hypnotic visual feast that has since taken its rightful place…

Band of Outsiders

It’s time for a Jean-luc Godard review, but where as I struggled with exactly what I should say in regards to Breathless, partially because it seems one of the most written-about films this side of Zombie Lake (which seems to be one of the most reviewed movies on the internet), when it comes to Band…

Death is Nimble, Death is Quick

Austrian writer and director Rudolf Zehetgruber had two shots at the Kommissar X franchise, and Death is Nimble, Death is Quick, the second entry in the seven film Eurospy series, was the first of them. It’s a commendable, if not especially controversial effort on his part, although, thanks to a particular directorial quirk it revealed,…

Fantomas

If I rack my brain, I can come up with an English language corollary by which to describe Fantomas. But that doesn’t change my perception that there is something irreducibly French about the character. Certainly, Sax Rohmer’s Fu Manchu is similar, in that he is one of those rare examples of a villain serving as…

Made In France: France Gall’s Baby Pop

France Gall might not have had the sophisticated mystique of Francoise Hardy, the it girl “oomph” of Sylvie Vartan, or the continental sensuality of Bardot, but she was nonetheless an integral part of the Yeh Yeh Girl pantheon. It could even be said that her young age — 15 at the time of signing her…

The Extraordinary Adventures of Adele Blanc-Sec

When Teleport City reviewed the French science fiction animated feature Gandahar, we delved into the history of French sci-fi in animated and comic form, including the birth of Metal Hurlant, the comic magazine that, when it was licensed for publication in America, became Heavy Metal. Tackling Luc “The Destroyer of French Cinema” Besson’s whimsical fantasy-adventure…

Gandahar

Gandahar makes the cardinal mistake of being a movie about people struggling to escape the iron grip of a merciless, mechanical, totalitarian regime, then it went and got itself animated in North Korea

Hard to be a God

This German-French-Soviet film is very much like an episode of Star Trek — with all the well-meaning ham-handedness that implies — only with more grime, blood, and full frontal male nudity.

Zombie Lake

No matter how much I run Zombie Lake into the dirt, I can’t deny the enjoyment I got out of watching it. Its combination of schmaltzy sentimentality, surprisingly forthright sleaze, and apathetic horror movie pastiche really does add up to something fairly unique.

Slogan

What with my recent cinematic diet consisting mostly of overheated Bollywood masala movies and plagiarism-filled Thai man-in-suit monster sagas, I’ve gotten well past the point where it’s time to mix things up a bit. And what better respite than to watch some attractive French people screwing and languorously declaiming about the futility of it all?…