On Diabolique, I’m exploring underground British cinema by way of the BFI Flipside series. First up: wild jazz beatniks on a lust-fueled rampage! It’s Gillian Hills in Beat Girl.
A washed-up, alcoholic superhero must pull himself out of depression to defeat Christopher Lee in one of cinema’s first deconstructions of comic book superheroes. It also happens to be a musical.
If jungle adventure movies have taught us anything, it’s that modern man, with all his so-called “refinement” and “civilization”, is the most dangerous animal of all. Even though those city folk ultimately fall prey to quicksand, cannibals, and hungry wild animals.
There are those among us who, in a moment of moral weakness, find themselves unwilling or unable to turn away from a grisly situation. As to the psychological motivations behind this tendency, they are legion and vary from person to person. Perhaps it is a desire to affirm that someone is worse off than you,Continue reading “Howling II: Your Sister is a Werewolf”