Unbeknownst to many in the West, Egypt once produced some of the most astounding, polished films of the middle 20th century, from thrillers to comedies to romance. It’s time to become more familiar with the golden age of Egyptian cinema. … Continue reading Welcome to Cairowood: A Guide to Egyptian Cinema’s Golden Age
A washed-up, alcoholic superhero must pull himself out of depression and obscurity in order to defeat the villainous Christopher Lee in one of cinema’s first deconstructions of comic book superheroes. It also happens to be a musical. Despite passes at … Continue reading The Return of Captain Invincible
If jungle adventure movies have taught us anything, it’s that modern man, with all his so-called “refinement” and “civilization”, is the most dangerous animal of all. Whatever perils the jungle may hold, it is those city folk — greedy, thoughtless, … Continue reading Face of Eve
When it comes to music, I have little nostalgia for vinyl. I much more prefer the internet equivalent of crate digging to the old school variety, where, along with the limits of physical space you had unlimited opportunities to inhale large quantities of dust. It has to be admitted, however, that those physical limits did provide an obsessive like myself with something of a shield against the wages of his own worst impulses. On the internet, you see, the rabbit holes are bottomless. Nevertheless, my endless plummeting down said holes still on occasion proves worthwhile, leading to a discovery that forces me to gawp in renewed awe at the digital world’s capacity to be an infinite Alexandria of obscurities.
Alfred Hitchcock’s original 1935 version of The 39 Steps is one of those films that’s so seminal that when watched today it can seem like little more than a parade of hoary old clichés; that is, until you consider that The 39 Steps is where many of those clichés originated. The film lays a foundation that countless espionage thrillers have built upon and continue to build upon to the present day. It’s all here: The innocent everyman abroad who’s drawn into a web of intrigue by an encounter with a mysterious and exotic woman; the shadowy international criminal organization whose reach is so extensive that it’s impossible to know who can be trusted; the ardently sought-after “MacGuffin” that sets the plot in motion despite ultimately being inconsequential to the outcome; the criminal mastermind with an identifying disfigurement who hides behind a genteel facade of upper-class respectability; the urbane, witty hero who has a way with the ladies, etc. And while it’s hero takes the train rather than hopping the globe on a luxury airliner, The 39 Steps is worth considering as a necessary precursor to the jet setting spy capers that would follow in its wake some thirty years later.
Interpol 009 has everything you’d want in a 1960s spy movie–except for a memorable villain, a spectacular crime, and audacious action set pieces. On balance that leaves you with attractive stars, lots of nicely photographed scenes shot in glamorous locations, some nice cars, and a lot of fun gadgets. Fortunately, thanks to its amiable tone and sure-handed technical delivery, that’s enough to make Interpol 009, if far from a dazzling entertainment, at least a pleasant way to wile away an hour or so with a cocktail (or two).
The Mexican film industry’s contributions to the 1960s spy craze tend to be on the whimsical side. If they don’t feature a masked wrestler in a pivotal role, they tend to be something along the lines of Agente 00 Sexy, in which heroine Amadee Chabot spends a lot of time wearing a Frederick’s of Hollywood-style cat costume. Given the overall zany-ness of the field, then, I do not say lightly that Cazadores de Espias (Spy Hunters) may very well be the silliest of them all. Strangely, though, it doesn’t start out that way–and that makes watching Cazadores de Espias sort of like watching a movie that’s gradually losing its mind.