Mars Men kicks off with a little kid stumbling upon a hidden cave in which he finds a small statue of Yud Wud Jaeng. The kid insists on calling him “Hanamajin”, and the rest of the cast—following that kaiju movie rule that everybody has to follow the 10 year old’s lead—follows suit. Even Yuk Wud Jaeng, when he shows up, does this.
Somewhere amid Noble War’s colorful visual chaos is the story of the war between Hanuman and his army of monkeys versus the scoundrel demon Thosaganth, but Sompote Sands is way more interested in giant monsters kicking stuff over than he is in advancing the causes of religion.
Ultraman was very popular in Thailand, and in 1973 Sompote Saengduenchai approached Tsubaraya Productions with the idea of co-producing a series of films that would team their heroes with figures from Thai folklore and mythology.