On The Cultural Gutter, I’m writing about Folk Horror for the Atomic Age. These Are the Damned is a curious film that effectively pulls off the difficult stunt of starting off as one type of story but ending up a very different type, equal parts crime melodrama, science fiction, and folk horror.
Last month on The Cultural Gutter, I wrote about Nalo Hopikinson’s Brown Girl in the Ring the importance of diverse voices and experiences in science fiction. Following that thread, this month I’m looking at one of the grand ladies of science fiction, Octavia Butler, and the first book in her “Xenogenesis” series, Dawn. Understanding the…
The country was, in the autumn of 1938, primed for a panic. In August of that year, the German military mobilized. On October 15, they invaded Czechoslovakia. Despite efforts to appease Hitler, it seemed the German appetite for conquest and, more acutely, the desire to revenge itself against the harsh punishments levied against it after the Great War, was going to send Europe into a second horrible conflict. Although war had not been declared in 1938, and although the United States was determined to stay out.
When the only country in the world that has had atomic bombs dropped on it puts a mushroom cloud in one of its movies, it tends to have more resonance than when, say, the Italians do it. When the Italians set off an atomic bomb, it almost always heralds the arrival of post-apocalyptic, dune buggy-driving…
You know what I love? I love that “post apocalyptic rollerskating movie” isn’t a description of a movie, but instead of an entire genre. Granted it’s a genre created almost entirely by a single man, but when the man is dedicated and prolific enough, suddenly you have a whole section in the old time video…
I think I’m detecting a pattern here, thanks in large part to the number of cheapjack genre films that used The Philippines and local Filipino crews and extras during the 80s and 90s. Need to make a cheap Rambo rip-off? Let the lush jungle landscape of The Philippines stand in for Vietnam. Need to make…
Cirio Santiago’s Future Hunters resembles some ancient horror buried for millions of years at the bottom of a pit beneath some black and unnamed ruin of a city comprised primarily of forms and colors that have no corresponding point of reference in our own universe. In fact, when first I purchased this movie on VHS,…
