My write-up of Dracula, Sovereign of the Damned has moved to the Carfax Abbey that is Diabolique. THIS should have been the future of Marvel movies: an anime adaptation of Tomb of Dracula.
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 Despite secret lairs and spy gadgets, Asia-pol plays things straight where other Shaw Bros. espionage efforts reveled in the most outlandish sci-fi aspects of spy films.
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Mars Men kicks off with a little kid stumbling upon a hidden cave in which he finds a small statue of Yud Wud Jaeng. The kid insists on calling him “Hanamajin”, and the rest of the cast follows suit.
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A lone samurai making his way home late at night meets a defenseless woman. So begins the horror of Kaneto Shindô’s tale of ghosts, vengeance, and the wrongs visited upon women by entitled men.
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Godzilla’s Revenge is practically an adaptation of Where the Wild Things Are, in which a depressed young boy travels to the land of cavorting monsters and has a hell of a good time.
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Underworld Beauty is perhaps not as singular a viewing experience as Suzuki’s later, more idiosyncratic masterworks, but it is nonetheless noteworthy.
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Female Prisoner #701 is a thrilling piece of exploitation cinema, as well as a challenging work of visual artistry. But, as great as it is, it merely set the stage for what was to come.
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