Tag Archives: Giant Monsters

Sci-Fi, Shochiku Style

On the Cultural Gutter, I’m writing about apocalyptic scifi and horror from the normally well-behaved Japanese film studio Shochiku. Shochiku was most closely identified with shomin-geki, dramas about the lives of everyday people, and the undisputed master of such films was Shochiku director Yasujiro Ozu. But a studio can only exist for so long on movies in which a middle-aged

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Mars Men

Mars Men kicks off with a little kid stumbling upon a hidden cave in which he finds a small statue of Yud Wud Jaeng. The kid insists on calling him “Hanamajin”, and the rest of the cast follows suit.

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The Super Inframan

Inframan is, in many ways, a perfect film, in that it is resoundingly successful in achieving what it sets out to do. Every one of its scenes could be bullet-pointed with the word “SEE!” in front of it.

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