Beyond the Black Rainbow

The surreal swirl of stark futurism, psychedelia, and neon indulgence is…pleasantly overwhelming? Comfortably disturbing? Certainly it’s something that demands one’s attention even as it lulls you into a fugue state.

Redline

Redline possessed the same frantic energy, the same boundless enthusiasm, and the same eye-popping obsession with background detail as the best the medium had to offer in the decade of excess that made anime fandom so huge in the United States.

Mulholland Drive

David Lynch’s tale of an aspiring actress becomes a surreal nightmare, a puzzle box of a film about the dark side of Hollywood played out against the sunny Los Angeles landscape.

Asambhav

Attempting to cram every single flashy editing trick into one film, and usually into one scene, and sometimes into a single shot, this Bollywood espionage thriller is as entertaining as it is moronic. And it is really moronic. It’s been said that in an effort to appeal to as massive a population as possible, the…

Great Yokai War

After making a veritable tidal wave with a slew of twisted DTV hits including the Dead or Alive trilogy, Visitor Q, and Ichi the Killer, Japanese cult film director Takashi Miike hit a rough patch in which most of his films went unnoticed or, worse, disliked by the throngs who had so recently celebrated his…

Fireball

Since the day Tony Jaa, Prachya Pinkaew, and Panna Rittikrai suddenly popped up on fight film fans’ radars, Thailand has become the go-to place for the hyperactive, bone-jarring, stunt filled, totally ridiculous style of film making that defined the Hong Kong action film industry in the 1980s. The arrival of Thailand on the martial arts…

Lupin III: Elusiveness of the Fog

Referring to anything that happens in a Lupin III cartoon as “realistic” is folly, but the teleivsion special Lupin III: Elusiveness of the Fog pushes the boundaries even for the Lupin universe, where purple midgets in leisure suits threaten the world and Fiats somehow can drive up castle walls. I’ve always preferred Lupin’s slightly more…

Bloody Tie

Bloody Tie sports all the polish and big budget precision typical of Korean action films but combines it with a frenetic, almost anarchic approach that makes the entire thing feel like it’s totally bonkers. The closest comparison is Nowhere to Hide, but you’d have to mix it up with Goodfellas and Battles Without and Humanity.

Arahan

The script should be giving us something more to root for in Sang-hwan other than “he’s the Chosen One,” but he never really gets much character redemption. He’s a lunkheaded, inconsiderate buffoon when we meet him, and he remains as such throughout the movie. I was wishing he would just get shuffled to the background.

Naksha

For anyone who ever watched Indiana Jones and the Temple of Doom and was disappointed that, for all its over-the-top absurdities, it didn’t feature a scene where Harrison Ford punches a midget and makes him fly across a field, then Naksha is the movie for you. Only it’s not Harrison Ford doing the punching; it’s…

Yatterman

Yatterman is a colorful, overblown, largely idiotic live-action adaptation of an anime series from 1977. It’s also a painful illustration of every weak point wildly hit-or-miss director Takashi Miike possesses, while at the same time it fails to highlight any of the thing he does well. Miike’s staunch unwillingness to make anything less than 14,000…

Gumnam Qatil

This is a film for people already initiated into the ways of Harinam Singh, rather than a film that is going to convince you to donate your worldly possessions to the man and join his cult (in the cult’s defense, he will use your worldly possessions to finance another rubber mask monster movie).