The greatest compliment you could pay an exploitation film is to say it looks like they designed the poster first and then recreated it on screen. This formulation describes Inframan perfectly.
On the surface, The Wicker Man is the story of how one police constable’s attempt to scrooge up a town’s May Day revelries fails miserably when the community comes together to celebrate the reason for the season. But The Wicker Man is a film with complex depth, and delving into those murky waters is aided considerably by a few of the key texts that went into crafting the film’s story.
Testi plays Milo, a small-time hood who, when the film opens is lugging his wounded buddy through a field after a heist that has apparently gone rather poorly. His friend dies, and Testi buries him in the field before getting arrested and ending up in a jail run by Oliver Reed’s Vito Cipriani.
Over on The Cultural Gutter, In This Green and Pleasant Land examines Children of the Stones, regarded to this day as one of the smartest, weirdest, scariest slices of children’s television programming ever produced.
A long time ago, George Lucas hired Alan Dean Foster to write a sequel to Star Wars, operating under the assumption that Star Wars might not make much money, that the sequel would need to be really low budget, and that Harrison Ford would refuse to reprise his role as Han Solo. On the Cultural…
Examples of Egyptian filmmaking date back to the beginning of the 20th century, with Cairo becoming a hub of commercial filmmaking in the Arab world with the introduction of sound. It was there that the country’s first “Hollywood-style” film studio, the well-funded Studio Msr was established in 1936.
Polish director Wojciech Has harbored no desire to make a political film. But in Poland under Soviet rule, where film promoting social realism was the mandate, not being political was the most political thing he could do.
A fairytale about a young girl attempting to navigate the many predators surrounding her becomes an allegory for the challenges of womanhood and the trials faced by then Czechoslovakia in the face of Soviet aggression.
I’m celebrating the 40th anniversary of The Rocky Horror Picture Show. The world doesn’t need another review of the movie, so Whatever Happened to Saturday Night? is instead a mini-memoir about my first time seeing the movie, at Louisville’s Vogue Theater in 1987
I hate the Spanish horror movie The Blood-Spattered Bride, but I still managed to involve myself in nearly two hours of talking about it on an episode of The Trashy Trio Podcast. OK, maybe 40 minutes was about The Blood-Spattered Bride.
The short-lived television program Space: 1999 taught us many things about our depressing universe. Chief among its concerns: reminding us every week that our fellow inhabitants of the galaxy are at least as awful as we are, only with magic powers. Space: 1999 taught me two valuable lessons. The first is that space is depressing…
I’ve been sitting here trying to think of an adequate way to describe exactly what it is that Sonny Chiba does and wears in this second film in Kinji Fukasaku’s highly enjoyable, highly influential Battles without Honor and Humanity series of films that delve into the world of organized crime and the role it played…