Death Walks on High Heels
Beneath Ercoli’s tweaks of the nose is a typically giallo approach to storytelling, which is to take a relatively straight-forward story and relay it in the most convoluted, difficult to follow fashion.
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The Bird with the Crystal Plumage
The Bird with the Crystal Plumage remains to this day a highly regarded classic, and rightfully so. Decades after it’s release, and decades after legions of imitators, it still feels fresh, inventive, and shocking.
Read moreSlaughter Hotel
Despite coming out in 1971 — a banner year for giallo — Slaughter Hotel plays like one of Jess Franco’s lesser efforts, or something from bottom-of-the-bucket production house Eurocine.
Read moreDeadly Sweet
Before Salon Kitty redirected his career and before Caligula became the most infamous movie in the world, Tinto Brass was just a young director looking to capture the zeitgeist of the 1960s.
Read moreThe Night Evelyn Came Out of the Grave
Giallo often treat logic as a secondary consideration at best. That said, Emilio P. Miraglia’s The Night Evelyn Came Out of the Grave is nonsensical even within the forgiving confines of giallo logic.
Read moreDark Purpose
Had Dark Purpose been an hour long episode of a TV show, he would have delivered. But forced to come up with, roughly, three half-hour acts, the movie isn’t dynamic enough to make us forget nothing much is going on.
Read moreThe Red Queen Kills Seven Times
Part of the fun of watching gialli is getting lost in the needlessly convoluted twists, becoming so disoriented that one simply has to throw up one’s hands and surrender to the lurid displays of sex, violence, and style.
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