It’s a cause for celebration when a B movie delivers as spectacularly as Wahan Ke Log does, especially given that its genre elements also have to make room for the singing, dancing and romancing.
V. Shantaram was an artist of conscience who dedicated himself to using the filmic arts as a means to further social causes. At the time Do Ankhen Barah Haath, Shantaram was a good few years beyond his most acclaimed works.
Forbidden Photos is not an exceptionally plotted giallo. Nonetheless, it has a structure sturdy enough upon which to hang a lot of crazy mid-century design
Mars Men kicks off with a little kid stumbling upon a hidden cave in which he finds a small statue of Yud Wud Jaeng. The kid insists on calling him “Hanamajin”, and the rest of the cast follows suit.
Power pop fans sometimes try to swell the ranks of their chosen obsession by widening their nets to include within it acts that are not necessarily deserving of the label. Take for example, The Quick.
Inframan is, in many ways, a perfect film, in that it is resoundingly successful in achieving what it sets out to do. Every one of its scenes could be bullet-pointed with the word “SEE!” in front of it.
Examples of Egyptian filmmaking date back to the beginning of the 20th century, with Cairo becoming a hub of commercial filmmaking in the Arab world with the introduction of sound.
A washed-up, alcoholic superhero must pull himself out of depression to defeat Christopher Lee in one of cinema’s first deconstructions of comic book superheroes. It also happens to be a musical.
If jungle adventure movies have taught us anything, it’s that modern man, with all his so-called “refinement” and “civilization”, is the most dangerous animal of all. Even though those city folk ultimately fall prey to quicksand, cannibals, and hungry wild animals.
Alfred Hitchcock’s original 1935 version of The 39 Steps is one of those films that’s so seminal that when watched today it can seem like little more than a parade of hoary old clichés; that is, until you consider that The 39 Steps is where many of those clichés originated.
Interpol 009 has everything you’d want in a 1960s spy movie–except for a memorable villain, a spectacular crime, and audacious action set pieces. On balance that leaves you with attractive stars, lots of nicely photographed scenes shot in glamorous locations, some nice cars, and a lot of fun gadgets.
The Mexican film industry’s contributions to the 1960s spy craze tend to be on the whimsical side. Given the overall zany-ness of the field, then, I do not say lightly that Cazadores de Espias maybe the silliest of them all.