Valerie and Her Week of Wonders

A fairytale about a young girl attempting to navigate the many predators surrounding her becomes an allegory for the challenges of womanhood and the trials faced by then Czechoslovakia in the face of Soviet aggression.

Vampyr

Vampyr is a silent film with sound, a surreal parade of images that found itself caught uncomfortably in between the end of the silent era and the dawn of talkies. A critical and commercial failure in its day, it is never the less a stunning, hypnotic visual feast that has since taken its rightful place…

Moustaches, Magnums, and Men

In 1971, audiences were delivered the message that the freewheelin’ sixties were over, and so were the innocent fifties for that matter, when long-legged Clint Eastwood stepped onto the screen as “cop on the edge” Harry Callahan in the groundbreaking crime thriller, Dirty Harry. Other tough-as-nails cops and private eyes followed in Harry’s cynical footsteps,…

The Fabulous World of Karel Zeman

If you took special effects film pioneer Georges Melies and combined him with stop motion animation genius Ray Harryhausen and surreal fantasist Terry Gilliam, then taught him to speak Czech, you’d have a film maker very close to Karel Zeman. I was strolling across Prague’s Karluv Most, as is the way of a jetsetting international…

Vahsi Kan

The first ten minutes of Vahsi Kan are perhaps the purest and most potent distillation in existence of the Turkish action film as interpreted by exploitation kingpin Cetin Inanc. They are also ten of the seediest, sleaziest, most hilariously lascivious and violent ten minutes you’re likely to see this side of the opening montage from…

Viy

My odyssey through the strange world of Russian fantasy films began in earnest many years ago, when I moved to a prominently Russian and Ukrainian neighborhood and started prowling around the DVD stores of Brighton Beach, Brooklyn. Up until then, I’d caught glimpses of this strange and wonderful looking avenue of cinema in the form…

Vampire vs. Vampire

Lam Ching-Ying made a whole slew of vampire comedies. The most interesting aspect of Vampire vs. Vampire is the fact that it pits Lam’s character against a Western style vampire

Vampire Doll

Japan’s occasional flirtations with an interest in vampires are, like most things having to do with Japan and Western pop culture, a bizarre mix of revulsion and fascination with the foreign — a dichotomy that is almost certainly (in my eyes) born of the interests of the young simply not lining up with the prejudice…

The Vampire Lovers

As latter-day Hammer films go, The Vampire Lovers is an entertaining, sexy romp. It relies less on the hammy scare tactics of the later Dracula series and more on the audience’s assumptions.

Velvet Hustler

Eight. Nine. Three. In the Japanese card game known as hana-fuda, it’s the worst hand you can get. Eight, nine, and three — ya, ku, and sa. Japanese organized crime families adopted the name “yakuza” because of this hand. Because you need to be lucky to be a yakuza. Because you’ve drawn the worst hand…

Vampire Circus

It’s really one of Hammer’s most impressive, quirkiest efforts. Regardless of how bad things were for Hammer in the 70s, the movies that came out of it were usually very good and very interesting.