The country was, in the autumn of 1938, primed for a panic. In August of that year, the German military mobilized. On October 15, they invaded Czechoslovakia. Despite efforts to appease Hitler, it seemed the German appetite for conquest and, more acutely, the desire to revenge itself against the harsh punishments levied against it after the Great War, was going to send Europe into a second horrible conflict. Although war had not been declared in 1938, and although the United States was determined to stay out.
It’s a blue moon month for me over at The Cultural Gutter, and I get the honor of ushering in All Hallow’s Eve, scary sci-fi style. Something Kinda Funky looks at the time Buck Rogers, Wilma, and Twiki faced off against a nefarious Space Count Orlok in the classic Buck Rogers in the 25th Century episode, “Space Vampire.”
Russian author Aleksey Nikolayevich Tolstoy wrote the stories that served as the source material for two of the Soviet Union’s best-known science fiction adventures: the futurist fantasy Aelita, Queen of Mars and the Fantomas-inspired pulp thriller The Hyperboloid of Engineer Garin. Aleksey Nikolayevich Tolstoy was Russia’s less internationally known Tolstoy. While the one was writing…
I have a new article on The Cultural Gutter: The Gentleman Adventurer takes a look at Adam Adamant Lives! A swashbuckling Edwardian gentleman, quick with his cane-sword or a witty retort, is frozen in time and revived in swingin’ sixties London, where accompanied by his go-go girl sidekick, he immediately resumes his life of adventure and crime-fighting.
Over at the Cultural Gutter, A Halting Fire takes a look at the first season of Halt and Catch Fire, a show with subject matter — the micro-computing revolution of the early 1980s — near and dear to my heart.
Time for another article at The Cultural Gutter, where I am writing Einstein and the Bearded Lady, about the Czech science fiction comedy I Killed Einstein, Gentlemen (Zabil jsem Einsteina, panove) from 1970.
Frolicking afield once again, for my monthly article over at The Cultural Gutter. “You Can’t Make a Masterpiece Without Madness” takes a look at the documentary Jodorowsky’s Dune, the tale of how director Alejandro Jodorowsky’s ambitious adaptation of Frank Herbert’s Dune never got made, and how that story of “failure” is oddly inspiring and uplifting.