Now Cthulhu is Blofeld

Over on the Cultural Gutter, I’m taking a look at Brian Lumley’s first three Titus Crow novels, in which he turns Lovecraft’s Cthulhu Mythos on its ear. Now Cthulhu is Blofeld examines Lumley’s preference for men of action, eschewing Lovecraft’s terrified academics in favor of two-fisted psychics flying around in magic clocks, shooting lasers at Cthulhu and his minions, which have been reduced to a bunch of B-grade Ultraman monsters.


Whatever Happened to Saturday Night?

Over on the Cultural Gutter, I’m celebrating the 40th anniversary of The Rocky Horror Picture Show. The world doesn’t need another review of the movie, so Whatever Happened to Saturday Night? is instead a mini-memoir about my first time seeing the movie, at Louisville’s Vogue Theater in 1987, what it meant to me, and how radically the movie — and that old theater — changed my outlook on life for the better .


That’s What She Said

This month on The Cultural Gutter, I’m tackling Ann Leckie’s Hugo Award winning space opera Ancillary Justice. That’s What She Said examines the awesome sleight-of-hand Leckie pulls by writing a pretty straight-forward, old-fashioned space opera with one tweak: deciding to use “she” as the default pronoun for all characters instead of “he.”


Understanding the Aliens

Last month on The Cultural Gutter, I wrote about Nalo Hopikinson’s Brown Girl in the Ring the importance of diverse voices and experiences in science fiction. Following that thread, this month I’m looking at one of the grand ladies of science fiction, Octavia Butler, and the first book in her “Xenogenesis” series, Dawn. Understanding the…


A Relative Dystopia

Over on The Cultural Gutter, I’m writing about Nalo Hopkinson’s dystopian science fiction novel Brown Girl in the Ring. A Relative Dystopia is a look at how our culture, upbringing, and personal experiences can shape what we define as a dystopian future, and how people of a different race can look at the exact same…