Slaughter Hotel

Despite coming out in 1971 — a banner year for giallo — Slaughter Hotel plays like one of Jess Franco’s lesser efforts, or something from bottom-of-the-bucket production house Eurocine.
Read moreFestivity, Revels, and Nocturnal Dalliances
Despite coming out in 1971 — a banner year for giallo — Slaughter Hotel plays like one of Jess Franco’s lesser efforts, or something from bottom-of-the-bucket production house Eurocine.
Read moreBefore Salon Kitty redirected his career and before Caligula became the most infamous movie in the world, Tinto Brass was just a young director looking to capture the zeitgeist of the 1960s.
Read moreGiallo often treat logic as a secondary consideration at best. That said, Emilio P. Miraglia’s The Night Evelyn Came Out of the Grave is nonsensical even within the forgiving confines of giallo logic.
Read moreHad Dark Purpose been an hour long episode of a TV show, he would have delivered. But forced to come up with, roughly, three half-hour acts, the movie isn’t dynamic enough to make us forget nothing much is going on.
Read morePart of the fun of watching gialli is getting lost in the needlessly convoluted twists, becoming so disoriented that one simply has to throw up one’s hands and surrender to the lurid displays of sex, violence, and style.
Read moreThe Girl Who Knew Too Much is a bit like Roman Holiday if Gregory Peck and Audrey Hepburn got caught up in a murder mystery. It isn’t grim, and it does have a certain spirit to it, but it also dabbles in tense Gothic atmosphere.
Read more