Female Prisoner Scorpion: Jailhouse 41

Emboldened, perhaps, by the success of the first film and the amount of creative leeway given him by Toei, Ito this time largely dispensed with genre trappings and delivered a film that was even more obviously the product of a singular directorial vision.

Female Prisoner #701: Scorpion

Female Prisoner #701 is a thrilling piece of exploitation cinema, as well as a challenging work of visual artistry. But, as great as it is, it merely set the stage for what was to come.

Terrifying Girls’ High School: Lynch Law Classroom

The Pinky Violence films of Norifumi Suzuki represent one extreme of the tendency of Japanese exploitation films of the seventies to combine a very high level of craftsmanship with an unflinching preoccupation with human behavior at its most sleazy and mysteriously perverse.

Delinquent Girl Boss: Blossoming Night Dreams

As I’ve indicated, it won’t overwhelm you with its artistry, but it is a handsomely made film, and the performances are uniformly top notch. And because I didn’t have to spend half of its running time cringing and hoping that my wife didn’t walk into the room, it afforded me the opportunity to savor some of those aspects of the PV genre that are most appealing to me.

Delinquent Girl Boss: Worthless to Confess

Of course that reserve goes out the window the second Rika and her girls throw on hot pants and go-go boots, break out their swords, and slice their way through a pop art club full of whimpering, worthless yakuza assholes. If Worthless to Confess lacks the nonstop insanity of many of the zanier entries in the world of pinky violence, it makes up for it with a finale that is off-the-charts awesome.