One of the great films of the Hong Kong New Wave, Tsui Hark’s Chinese Revolution era adventure is notable for focusing not on the war or heroic men, but on the friendship that grows between three women who find themselves involved in a tangled web of espionage.
Elvis Presley didn’t like his own movies, except maybe Flaming Star and King Creole. He idolized “angry young man” actors like Marlon Brando and James Dean and always hoped that with the right coaching, he might be able to count himself among their ranks. And maybe he could have. King Creole certainly shows impressive flashes.…
The shots of the atrocious, white-eyed, gray-faced ghoul screaming insanely as it lumbers across rotting moors with a dead woman in its hand is as chilling as anything Hammer has ever filmed, up there and perhaps even more striking than the shots of Christopher Lee’s cadaverous creature stumbling across the bleak country forest in Curse of Frankenstein. Likewise, the scene of the zombies besieging Dr. Thompson in the cemetery is incredible.
I had pretty high expectations going into this film — not that it would be good, but that it would hilariously, confoundingly weird. And I was not disappointed. But I discovered that it was also actually pretty good.
Phenomena is often regarded as a turning point in the career of Italian thriller director Dario Argento. Unfortunately for him, the direction it is most often cited as turning is down. After Phenomena, the influential director had one more good film in him – the mean-spirited and sadistic Opera — and then it was all…
This isn’t really a film at all, but more of a game of dress-up that a couple of 12-year-old girls with access to their mum’s wardrobe might have.
Deodato’s short-comings as a director are made more obvious when you have to watch one of his films that doesn’t benefit from several minutes of controversial cannibal torture footage