2015 is the centennial of two of the most important figures in American music and the history of New York. We took care of Frank Sinatra already on Alcohol Professor, so now it’s time to bow down to the woman he said was the most influential artist in his life and in modern American music history. Lady Day on Swing Street looks at the life and career of Billie Holiday, the Harlem Renaissance, and the rise and fall of Swing Street and Greenwich Village jazz clubs.
Gifts from the Dalai Lama. A voodoo drum that it is said will curse those who play it without possessing a proper witch doctor’s credentials. A penis harvested from a dead whale, and the horn of from a narwhal. Tusks from a wooly mammoth.
To commemorate Frank Sinatra’s centennial, we’re looking at the history of Jilly’s Saloon, the joint Frank used as his home base whenever he was in New York City. When owner Jilly Rizzo retired and sold the restaurant, it passed into the hands of a trio of Russians — including a Nobel Prize winning poet and the most famous ballet dancer in the world — who turned it into a hotspot for Russian ex-pats, intellectuals, and artists. Oh, and Johnny Carson was almost assassinated there by an angry Mob boss
Over on The Alcohol Professor, I’m writing about that time George Washington bro-hugged his generals and bid them farewell with tankards of ale and bowls of turtle soup. The Bar that Birthed America celebrates the storied history of New York City’s Fraunces Tavern.
Another stroll through some of (but by no means all of) my favorite places in New York City, this time spread out across Brooklyn, Manhattan, and The Bronx (we’ll get to you, Queens; as for Staten Island, I’ll see what I can do). Another of the many things I like about this city — and…
I have a new Frolic Afield up at my usual corner on Alcohol Professor. In a rare moment of timeliness, The Bar that Launched Pride is a look at the history of the Stonewall Inn and how a scummy shithole of a bar that blackmailed its gay customers became the rallying point for and birthplace of the LGBT rights movement in America.
My introduction to New York’s underground film scene came in the form of the “cinema of transgression,” as movement figurehead (eh, more or less) Nick Zedd dubbed it. Specifically, it came in the form of Richard Kern, whose crude, short films and videos were widely circulated on VHS in the late 1980s and early 1990s.…