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Plague of the Zombies

The shots of the atrocious, white-eyed, gray-faced ghoul screaming insanely as it lumbers across rotting moors with a dead woman in its hand is as chilling as anything Hammer has ever filmed, up there and perhaps even more striking than the shots of Christopher Lee’s cadaverous creature stumbling across the bleak country forest in Curse of Frankenstein. Likewise, the scene of the zombies besieging Dr. Thompson in the cemetery is incredible.

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Mummy’s Shroud

Ho hum, the mummy again. That wouldn’t normally be my reaction, as I’m rather a fan of mummies and the havoc they wreak upon the living, but this entry into the Hammer compendium of vengeful Egyptian crypt guardians manages to do very little beyond eliciting a yawn. The Mummy’s Shroud’s problems are several, and not…

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Moon Zero Two

Although Hammer was best known for horror films, their entry into horror actually came by way of science fiction. Up until the 1950s, Hammer was pretty much your average low-to-medium budget production house, cranking out a lot of comedies, adventure, and war films. In 1955, however, the studio released a film featuring a popular sci-fi…

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Legend of the Werewolf

Paul investigates and discovers that all of them were clients of Christine. There’s also the body of a poor sewer man with no dialogue other than “Aarrgghh,” played Michael Ripper.

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Pirates of Blood River

The Pirates of Blood River is still a solid adventure tale, with plenty of action, a dependable cast, and a look that fools you into thinking this is a much higher budget film than it actually is. It’s nice to see these old Hammer swashbucklers getting some attention.

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Night Creatures

Even though it never really becomes a swashbuckling adventure (although Peter Cushing does get to swing from a chandelier) or a horror film, Hinds exploits the trappings of both genres to create a thrilling hybrid driven by strong characters and solid British acting.

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Taste the Blood of Dracula

Despite the weak ending, Taste the Blood is an exceptional entry into Hammer’s Dracula oeuvre. Even Christopher Lee grudgingly admits that it turned out to be a good film, though to this day he won’t stop going on about how corny the title is.