Ancient sacred sites and secret government installations benefit from remote settings for a number of reasons. Suddenly the ancient English countryside is a patchwork of chain link fences, barbed wire, “No Trespassing” signs, mysterious aerials and satellite dishes and armed guards at checkpoints.
It’s a blue moon month for me over at The Cultural Gutter, and I get the honor of ushering in All Hallow’s Eve, scary sci-fi style. Something Kinda Funky looks at the time Buck Rogers, Wilma, and Twiki faced off against a nefarious Space Count Orlok in the classic Buck Rogers in the 25th Century episode, “Space Vampire.”
I have a new article on The Cultural Gutter: The Gentleman Adventurer takes a look at Adam Adamant Lives! A swashbuckling Edwardian gentleman, quick with his cane-sword or a witty retort, is frozen in time and revived in swingin’ sixties London, where accompanied by his go-go girl sidekick, he immediately resumes his life of adventure and crime-fighting.
Over at the Cultural Gutter, A Halting Fire takes a look at the first season of Halt and Catch Fire, a show with subject matter — the micro-computing revolution of the early 1980s — near and dear to my heart.
To the very limited extent that the German science fiction series Raumpatrouille Orion (full English title: Space Patrol – The Fantastic Adventures of the Starship Orion) is known in my own United States, it tends to be the victim of a certain unfair association. On those pitifully rare occasions when it’s mentioned, it’s seldom without…
Space: 1999 began life as a different series, the delayed second season of creator Gerry Anderson’s occasionally popular UFO. Anderson, who began his career in film and television production as an editor, was and is best known for a series of science fiction and adventure shows starring puppets and marionettes. These “supermarionation” shows became his calling card but were never his passion. Rather, he fell into it in much the same way an employee at any job suddenly inherits for life some new project: he was the guy who was around.
There was a period, brief but never the less real, when we paid to see television shows in the theater instead of watching them for free on, you know, television. This started back when some crafty producer would take a couple episodes of a TV show and splice them into a single movie — even…