There are a lot of directors who work with that special someone of an actor forging a partnership that becomes legendary within the cinematic world.
Of all the filmic subgenres to come out of Europe during the 60s, the Spaghetti Western is the most macro, containing multitudes. With literally hundreds
Man, as if krimi weren’t convoluted enough, Creature with the Blue Hand goes and throws identical twin Kinskis — Twinskis, if you will — into the mix.
I expounded recently, in my review of Throne of Fire, on the fact that I am still a sucker for cool cover/poster art, even though
The Cold War produced a lot of great films, or at least a lot of enjoyable ones. It also produced some godawful dreck, though even