Somewhere amid Noble War’s colorful visual chaos is the story of the war between Hanuman and his army of monkeys versus the scoundrel demon Thosaganth, but Sompote Sands is way more interested in giant monsters kicking stuff over than he is in advancing the causes of religion.
Forbidden World delivers pretty much everything I could hope for from a Roger Corman film. He knew what we kids wanted, and in the 1980s, what we kids wanted was stuff we kids probably shouldn’t be seeing. And bless him, Corman gave us that in spades with this movie.
Sector 7 is the very worst kind of movie with which to be confronted. OK, maybe not. Maybe What Happens in Vegas is the very worst kind of movie with which to be confronted, but since that’s not the sort of movie I seek out, and Sector 7 is, then the wounds I suffer at…
Gandahar makes the cardinal mistake of being a movie about people struggling to escape the iron grip of a merciless, mechanical, totalitarian regime, then it went and got itself animated in North Korea
Godzilla producer Tomoyuki Tanaka determined the need for a new Godzilla film for the upcoming 1966 holiday season, and further decreed that said entry should be oriented toward a teen audience and feature a South Seas theme.
Ultraman was very popular in Thailand, and in 1973 Sompote Saengduenchai approached Tsubaraya Productions with the idea of co-producing a series of films that would team their heroes with figures from Thai folklore and mythology.