Mars Men kicks off with a little kid stumbling upon a hidden cave in which he finds a small statue of Yud Wud Jaeng. The kid insists on calling him “Hanamajin”, and the rest of the cast—following that kaiju movie rule that everybody has to follow the 10 year old’s lead—follows suit. Even Yuk Wud Jaeng, when he shows up, does this.
The greatest compliment you could pay an exploitation film is to say it looks like they designed the poster first and then recreated it on screen. This formulation describes Inframan perfectly. It is, in many ways, a perfect film, in that it is resoundingly successful in achieving what it sets out to do.
Yatterman is a colorful, overblown, largely idiotic live-action adaptation of an anime series from 1977. It’s also a painful illustration of every weak point wildly hit-or-miss director Takashi Miike possesses, while at the same time it fails to highlight any of the thing he does well. Miike’s staunch unwillingness to make anything less than 14,000…
If more Godzilla fans could get the broom out of their ass and actually enjoy the films rather than nitpick and dissect them under an electron microscope, they’d see that in its own way, for its own audience, Minya and Godzilla’s Revenge are as effective and important to the series as the original.
Anyone who is a fan of colossally, brain-fryingly bizarre and incompetent films, anyone who is a fan of old anime and will love playing spot the influence (and sometimes you can spot a couple influences on one robot, as bodies and heads are switched with reckless abandon), and I guess anyone who would want to see a giant robot space opera that randomly cuts to a whole strange TRON sequence, then Space Thunder Kids is well worth the dollar.
One of the most legendary of Taiwanese films, something glimpsed only in shoddy scans of old lobby cards and newspaper ads and long thought to be nothing more than a clever hoax with a dash of wishful thinking, was War God, a Taiwanese monster movie that pitted giant bug-eyed aliens against a gigantic general Guan Yu.
Somewhere amid Noble War’s colorful visual chaos is the story of the war between Hanuman and his army of monkeys versus the scoundrel demon Thosaganth, but Sompote Sands is way more interested in giant monsters kicking stuff over than he is in advancing the causes of religion.