inframan

The Super Inframan

The greatest compliment you could pay an exploitation film is to say it looks like they designed the poster first and then recreated it on screen. This formulation describes Inframan perfectly. It is, in many ways, a perfect film, in that it is resoundingly successful in achieving what it sets out to do.

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Angry Red Planet

When producer Sid Pink set out to tell the epic tale of mankind’s first trip to Mars, he did so with a budget that would barely get him down the street. That didn’t stop him, and to overcome the monetary limitations, he relied heavily on matte paintings drenched in the accidental surrealism of CineMagic. The…

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Yatterman

Yatterman is a colorful, overblown, largely idiotic live-action adaptation of an anime series from 1977. It’s also a painful illustration of every weak point wildly hit-or-miss director Takashi Miike possesses, while at the same time it fails to highlight any of the thing he does well. Miike’s staunch unwillingness to make anything less than 14,000…

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Godzilla’s Revenge

If more Godzilla fans could get the broom out of their ass and actually enjoy the films rather than nitpick and dissect them under an electron microscope, they’d see that in its own way, for its own audience, Minya and Godzilla’s Revenge are as effective and important to the series as the original.

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Space Thunder Kids

Anyone who is a fan of colossally, brain-fryingly bizarre and incompetent films, anyone who is a fan of old anime and will love playing spot the influence (and sometimes you can spot a couple influences on one robot, as bodies and heads are switched with reckless abandon), and I guess anyone who would want to see a giant robot space opera that randomly cuts to a whole strange TRON sequence, then Space Thunder Kids is well worth the dollar.

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War God

Kaiju films were old hat in Japan by the 1970s, but elsewhere in Asia the giant monster film industry was only just getting going. Inspired by Japanese movies like Godzilla and, even more so, television shows like Ultraman and Kamen Rider, aspiring (or canny) filmmakers (or hucksters) in Thailand, Hong Kong, and Korea decided they…

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Noble War

Sompote Sands is one of those figures in cult cinema who casts a long shadow. Granted it’s a shadow that twists around and warps into a demon like Calibos’ shadow in Clash of the Titans, but it’s a shadow never the less. Regarding the origin story of this supremely interesting and bizarre film maker, that…