Release Year: 1957 Country: Japan Starring: Juzaburo Akechi, Namiji Matsuura, Shigeru Amachi, Hiroshi Hayashi, Akiko Yamashita Director: Goro Katano Original Title: Kaidan Honjo nanfushigi Alternate Title: Seven Mysteries Researching the history of Japanese yokai in cinema is a difficult task. At least, it’s a difficult task if, like me, you don’t read Japanese and are…
The Ripper has struck again, prompting the drunk who finds the body to exclaim in his best RADA Cockney accent, “Gor blimey, the Ripper! ‘e’s done ‘er in!”
One gets the feeling, however, that if a potential creator of outsider art suddenly found himself in possession of a movie camera, some plastic Dracula fangs, and half a dozen cheap novelty wolfman masks, the resultant film would look something like Shaitani Dracula.
It is logical, and it seemed easy enough, to begin a discussion of The Cat and the Canary with a discussion of the history of “old dark house” mysteries — those movies where a disparate and largely shifty group of people convene upon a mysterious old mansion and find themselves embroiled in — and probably accused of — either a murder or a theft.
The Cultural Gutter invited me and my monsters over for a cup of tea and a conversation about The Monster in Me, during which I wax philosophic about the history of horror film ghouls and the lack of “human” monsters in modern chillers.
It’s difficult to freshen up a hoary old concept without losing the essence of what made that concept eventually become hoary. Reinterpretations of classical monsters often go so far afield from the original idea that they might as well be called something else — the werewolves in the Underworld series for example, or the vampires…
You know, some days I have to try and find serious, thoughtful comments to make about films. Other days, I get to reviews films like Zombie 3 and this little gem from the collective mind of Lamberto Bava and Dario Argento. Lamberto, of course, is the son of Italian horror legend Mario Bava.