Lam Ching-Ying made a whole slew of vampire comedies. The most interesting aspect of Vampire vs. Vampire is the fact that it pits Lam’s character against a Western style vampire
Old Hong Kong movies use the presence of a Taoist priest as a license to print crazy, despite the real world practice of Taoism’s emphasis on quiet contemplation and equilibrium with nature.
Lovestruck Sagawa arrives at the remote, spooky family mansion of his girlfriend Yuko, worried that she has sort of dropped off the face of the earth. He is shocked to learn from Yuko’s oddball mother that Yuko was killed in an automobile accident a couple of weeks earlier. The stunned Sagawa stays the night in the creepy old place, and during his time there he is visited by none other than his dead girlfriend.
Release Year: 1957 Country: Japan Starring: Juzaburo Akechi, Namiji Matsuura, Shigeru Amachi, Hiroshi Hayashi, Akiko Yamashita Director: Goro Katano Original Title: Kaidan Honjo nanfushigi Alternate Title: Seven Mysteries Researching the history of Japanese yokai in cinema is a difficult task. At least, it’s a difficult task if, like me, you don’t read Japanese and are…
The Ripper has struck again, prompting the drunk who finds the body to exclaim in his best RADA Cockney accent, “Gor blimey, the Ripper! ‘e’s done ‘er in!”
One gets the feeling, however, that if a potential creator of outsider art suddenly found himself in possession of a movie camera, some plastic Dracula fangs, and half a dozen cheap novelty wolfman masks, the resultant film would look something like Shaitani Dracula.
It is logical, and it seemed easy enough, to begin a discussion of The Cat and the Canary with a discussion of the history of “old dark house” mysteries — those movies where a disparate and largely shifty group of people convene upon a mysterious old mansion and find themselves embroiled in — and probably accused of — either a murder or a theft.