There’s almost a competent movie contained within the running time of Bhoot ke Pechhe Bhoot, though Kishan Shah never gets around to actually making it.
Based on a story by Ukrainian-born writer Nikolai Gogol, Viy is the story of good-for-nothing layabout Khoma (Leonid Kuravlyov), a scholar from the local monastery who with his two friends is on his way home for a break from the rigors of not really applying himself to his studies. To be fair to Khoma, he seems no worse than the rest of the students, who follow their release from seminary school with goose-theft, drunken carousing, and occasional grab-ass.
In the end, we’ll probably never know how this movie ever got made, and I suppose that, even though I would love to have my curiosity regarding the matter satiated, all that really matters is that it was made.
I wish there was a better way to describe the late, Javanese-born actress Suzzanna than as “the Queen of Indonesian Horror”, but that title is as accurate as it is shopworn. Over a career that spanned more than three decades, Suzzanna — born Suzanna Martha Frederika van Osch — starred in dozens of features, most…
Lam Ching-Ying made a whole slew of vampire comedies. The most interesting aspect of Vampire vs. Vampire is the fact that it pits Lam’s character against a Western style vampire
Old Hong Kong movies use the presence of a Taoist priest as a license to print crazy, despite the real world practice of Taoism’s emphasis on quiet contemplation and equilibrium with nature.
Lovestruck Sagawa arrives at the remote, spooky family mansion of his girlfriend Yuko, worried that she has sort of dropped off the face of the earth. He is shocked to learn from Yuko’s oddball mother that Yuko was killed in an automobile accident a couple of weeks earlier. The stunned Sagawa stays the night in the creepy old place, and during his time there he is visited by none other than his dead girlfriend.