Viy

My odyssey through the strange world of Russian fantasy films began in earnest many years ago, when I moved to a prominently Russian and Ukrainian neighborhood and started prowling around the DVD stores of Brighton Beach, Brooklyn. Up until then, I’d caught glimpses of this strange and wonderful looking avenue of cinema in the form…

Night of the Lepus

In the end, we’ll probably never know how this movie ever got made, and I suppose that, even though I would love to have my curiosity regarding the matter satiated, all that really matters is that it was made.

Ghost With Hole

I wish there was a better way to describe the late, Javanese-born actress Suzzanna than as “the Queen of Indonesian Horror”, but that title is as accurate as it is shopworn. Over a career that spanned more than three decades, Suzzanna — born Suzanna Martha Frederika van Osch — starred in dozens of features, most…

Vampire vs. Vampire

Lam Ching-Ying made a whole slew of vampire comedies. The most interesting aspect of Vampire vs. Vampire is the fact that it pits Lam’s character against a Western style vampire

Mr. Vampire

Old Hong Kong movies use the presence of a Taoist priest as a license to print crazy, despite the real world practice of Taoism’s emphasis on quiet contemplation and equilibrium with nature.

Vampire Doll

Japan’s occasional flirtations with an interest in vampires are, like most things having to do with Japan and Western pop culture, a bizarre mix of revulsion and fascination with the foreign — a dichotomy that is almost certainly (in my eyes) born of the interests of the young simply not lining up with the prejudice…

Ghost Stories of Wanderer at Honjo

Researching the history of Japanese yokai in cinema is a difficult task. At least, it’s a difficult task if, like me, you don’t read Japanese and are kind of lazy. Almost all of the English language writing about movies involving these bizarre and multitudinous creatures from Japanese folklore focuses on the three loosely related yokai…

Jack the Ripper

The Ripper has struck again, prompting the drunk who finds the body to exclaim in his best RADA Cockney accent, “Gor blimey, the Ripper! ‘e’s done ‘er in!”

Shaitani Dracula

One gets the feeling, however, that if a potential creator of outsider art suddenly found himself in possession of a movie camera, some plastic Dracula fangs, and half a dozen cheap novelty wolfman masks, the resultant film would look something like Shaitani Dracula.

The Cat & The Canary

It is logical, and it seemed easy enough, to begin a discussion of The Cat and the Canary with a discussion of the history of “old dark house” mysteries — those movies where a disparate and largely shifty group of people convene upon a mysterious old mansion and find themselves embroiled in — and probably accused of — either a murder or a theft.

Ginger Snaps Back: The Beginning

It’s difficult to freshen up a hoary old concept without losing the essence of what made that concept eventually become hoary. Reinterpretations of classical monsters often go so far afield from the original idea that they might as well be called something else — the werewolves in the Underworld series for example, or the vampires…

Demons 2

You know, some days I have to try and find serious, thoughtful comments to make about films. Other days, I get to reviews films like Zombie 3 and this little gem from the collective mind of Lamberto Bava and Dario Argento. Lamberto, of course, is the son of Italian horror legend Mario Bava.