Honey Britches

Honey Britches has so many things going wrong for it that you can’t help but look at it as a work of fine art. I mean, this is the sort of movie you watch and think to yourself, “Gee, with some formal training and more money, this director could be as good as Hershel Gordon…

Macao

Macao starring one of our favorite half-asleep actors, Robert Mitchum, is an exceptionally good thriller, not exactly a noir film but a solid old school crime thriller with good pacing, cool characters, and a great twist. Despite the exotic setting, it doesn’t bank too heavily on the “shadowy Chinatown” style of filmmaking, and there are…

Intrepidos Punks

Though I didn’t realize it at the time, Teleport City was created for one reason and one reason only: to eventually review Intrepidos Punks. And now our destiny is at hand

Creature with the Blue Hand

Man, as if krimi weren’t convoluted enough, Creature with the Blue Hand goes and throws identical twin Kinskis — Twinskis, if you will — into the mix.

New Police Story

A movie so ham-handed, misguided, and downright ludicrous that it should have been every bit as enjoyable as Chan’s previous movies. Unfortunately, whatever enjoyment might have been mined from the idiocy of the script is smothered under tons of truly horrendous melodrama.

Phenomenal and the Treasure of Tutankhamun

Deodato’s short-comings as a director are made more obvious when you have to watch one of his films that doesn’t benefit from several minutes of controversial cannibal torture footage

Cruel Gun Story

Ito and his boss want Togawa to carry out a robbery that they’ve planned, involving an armored car shipment of racetrack receipts worth 120 million yen, and have hand selected a crew of four men to assist him in the task.

Underworld Beauty

In the end, Underworld Beauty is perhaps not as singular a viewing experience as Suzuki’s later, more idiosyncratic masterworks like Branded to Kill, Tokyo Drifter and Gate of Flesh, but it is nonetheless noteworthy.

Geetaa Mera Naam

Sadhana would get her wish and be remembered as a heroine, even though the most indelible image to be taken away from the film might not be so much one of her heroic exploits as it would be her being whipped while wearing a white mini and go-go boots by a guy who looks like a Village People version of a medieval blacksmith.

Be-Sharam

As such, it can simply use it’s resemblance to those other films as a terse signifier of those themes (the fetters of family honor, the value of friendship and community, etc.), while it goes briskly about its real business of being a violent and somewhat trashy little potboiler.

The Moonstone

The Moonstone marks our first real foray into a universe in which we will be spending a lot of time: the Poverty Row thriller. An understanding of what Poverty Row was — if not an actual appreciation for its product — is an important part of any cult film education (and given the way you…

Phantom of Soho

The eventual reveal isn’t entirely a surprise, but then, it rarely is these days, given how many movies have been made in this style. And besides, the fun of the krimi is rarely in being fooled by the unmasking of the killer. It’s in the ride.