In the whole of Ireland, there’s only one working distillery open to the public (Bushmills is technically in another country): the Teeling Distillery. In The Spirit of Dublin, I sit down with distillery co-founder Stephen Teeling to discuss his family history, the state of Irish whiskey, and the complicated process of building a distillery that is open tot he public in a country that has no guidelines for such a thing.
My trip to Ireland wasn’t all stone circles and eldritch pacts with ancient forces. I followed the Irish Whiskey Trail to visit the country’s distilleries – only to discover that you can actually visit the distilleries. But there are lovely museums.
Born in the Dutch town of Utrecht, Sylvia Kristel grew up the daughter of hoteliers. Living in a hotel provided her with, if not exactly a conventional childhood, certainly an interesting one, as the rotating cast of oddball characters that show up at a hotel provided a surreal background.
Over on The Cultural Gutter, In This Green and Pleasant Land examines Children of the Stones, regarded to this day as one of the smartest, weirdest, scariest slices of children’s television programming ever produced.
Despite the evidence so far presented, Dublin was more than just a non-stop tour of whiskey and bars. The city was in the midst of its annual Bram Stoker Festival, which included storytelling, art, and roving packs of vampires handing out penny dreadfuls.
This past October, I happened to be in Dublin at the same time the city was hosting Whisky Live Dublin (as well as the Bram Stoker Festival, which included packs of roving vampires handing out penny dreadfuls). Over on Alcohol Professor, I write about Whisky Live Dublin but not Bram Stoker Fest, and about all the Irish whiskey that never makes it to American shores.
Unfortunately, the remainder of the film’s obsession with mythology building and referencing previous films results in a tangled mess that, despite being over two hours in length, still feels like an hour of the film is missing.