Khopdi is like a ratty old blanket that smells of mildew but is never the less still festering in the attic when it should have been thrown out years ago. But you just can’t do it, can you?
There’s almost a competent movie contained within the running time of Bhoot ke Pechhe Bhoot, though Kishan Shah never gets around to actually making it.
My odyssey through the strange world of Russian fantasy films began in earnest many years ago, when I moved to a prominently Russian and Ukrainian neighborhood and started prowling around the DVD stores of Brighton Beach, Brooklyn. Up until then, I’d caught glimpses of this strange and wonderful looking avenue of cinema in the form…
I wish there was a better way to describe the late, Javanese-born actress Suzzanna than as “the Queen of Indonesian Horror”, but that title is as accurate as it is shopworn. Over a career that spanned more than three decades, Suzzanna — born Suzanna Martha Frederika van Osch — starred in dozens of features, most…
After a stormy start, the two become closer, eventually even falling in love — which would be sweet if Hsiao-Chien didn’t turn out to be a ghost, her well-appointed villa an illusion covering a decrepit haunted house, and her mistress a demanding old ghoul with a taste for souls.
Old Hong Kong movies use the presence of a Taoist priest as a license to print crazy, despite the real world practice of Taoism’s emphasis on quiet contemplation and equilibrium with nature.
Researching the history of Japanese yokai in cinema is a difficult task. At least, it’s a difficult task if, like me, you don’t read Japanese and are kind of lazy. Almost all of the English language writing about movies involving these bizarre and multitudinous creatures from Japanese folklore focuses on the three loosely related yokai…
One gets the feeling, however, that if a potential creator of outsider art suddenly found himself in possession of a movie camera, some plastic Dracula fangs, and half a dozen cheap novelty wolfman masks, the resultant film would look something like Shaitani Dracula.
The failure of A Chinese Ghost Story: The Animation wasn’t solely in the American arena, either. If Tsui Hark had been hoping to kick off an era of new Chinese animation, he didn’t pull it off.
In five minutes, you gave me Ken Foree in micro-shorts, full frontal nudity, and murder by steam room. By the time we got to the frozen flying eel, I was willing to pledge my very soul to you
I’d been told the game was genuinely scary in many places. Seemed like the perfect late-night indulgence. And for portions of the game, it was
By the time The End appeared on the television screen, we’d seen tongue-waggling ghosts, bug-eyed zombies, and that most treasured of kungfu film appearances — the kungfu gorilla.