Over on the Alcohol Professor, I have a three-parter about the famed American Bar in London’s upscale Savoy Hotel. But Spies at the Savoy doesn’t restrict itself to a history of the bar, since I have no self-control. It also covers a history of cocktails themselves, the birth and evolution of hotel bars and cocktail culture in New York, the ties between the Savoy and the British intelligence service during WWII, and what exactly it all has to do with shoving your arm up a horse’s butt.
Mars Men kicks off with a little kid stumbling upon a hidden cave in which he finds a small statue of Yud Wud Jaeng. The kid insists on calling him “Hanamajin”, and the rest of the cast—following that kaiju movie rule that everybody has to follow the 10 year old’s lead—follows suit. Even Yuk Wud Jaeng, when he shows up, does this.
On The Cultural Gutter, I’m writing about Folk Horror for the Atomic Age. These Are the Damned is a curious film that effectively pulls off the difficult stunt of starting off as one type of story but ending up a very different type, equal parts crime melodrama, science fiction, and folk horror.
On Alcohol Professor, I have a four-parter called Martini and Myth about James Bond, the murky origin of the Martini, and how Ian Fleming ended up making them with vodka and ordering them shaken, not stirred. Everyone from tippling detective Nick Charles to the President from The West Wing has something to say.
As the series begins, Quatermass and his team are in a quandary after their most recent manned space flight vanishes without a trace, only to turn up later when it crashes into a farmer’s field. Rushing to the site, Quatermass is baffled to discover that of the three astronauts launched into orbit, only one is still in the ship.