Karel Zeman Galleries

Recently, we posted a look at the films of Czech animator and filmmaker Karel Zeman. Since basically every frame of each of his films is an amazing screencap, we went a little overboard. However, in an effort to keep the article itself from reaching epic lengths and load times, it included only a limited number…


The Fabulous World of Karel Zeman

I was strolling across Prague’s Karluv Most, as is the way of a jetsetting international gentleman such as myself, admiring the irreverent and disrespectful birds who insist on perching atop the heads of historical and religious figures of considerable import, when out of the corner of my eye I spied something somewhat more appealing to…


World Without End

In the great scheme of things, Forbidden Planet is still probably the coolest of the 50s sci-fi films, if for no other reason than it’s completely weird musical score, but World Without End is a two-fisted action-packed little brother that may not be as respectable or ambitious, but just might be more fun.


Dinosaur Land: White Post, Virginia

To our right were two more dinosaurs, one a brontosaurus, the other one of those two-legged beasts that, because no one knows exactly what it is, simply gets called an allosaurus. They were frozen in mid-menace of an Amoco gas station sign. To our left, just visible on the crest of a hill, was a giant octopus locked in mortal combat with a prehistoric shark.


The Extraordinary Adventures of Adele Blanc-Sec

When Teleport City reviewed the French science fiction animated feature Gandahar, we delved into the history of French sci-fi in animated and comic form, including the birth of Metal Hurlant, the comic magazine that, when it was licensed for publication in America, became Heavy Metal. Tackling Luc “The Destroyer of French Cinema” Besson’s whimsical fantasy-adventure…


When Women Lost Their Tails

With When Women Lost Their Tails, what we get is like the lyrics of a Gang of Four song acted out within the context of a slightly naughty fanfic version of The Flintstones. If nothing else, it certainly makes for unique viewing, and offers enough in terms of audacity alone to keep one watching until the end.


King Kong

Had I known several years ago that I could be watching films that combined wrestling, men in togas throwing boulders, giant suitmation monsters, and Kumkum dancing frenetically to catchy Bollywood music, I probably never would have seen Mother India or Sholay in the first place.