If you can roll with the goofiness of a demon anti-hero who seems to be taking acting queues from Jimmy Walker, this movie is fun enough, stupid enough, and warped enough to be a pretty entertaining, dumb time.
I was set to into part five all ready to think the movie was total garbage. It seems to be a pretty polarizing film, and in my opinion, a fairly well misunderstood and misinterpreted film. I was taken by surprise when I ended up really liking this offbeat entry, both for what it accomplishes and for what it admirably tries to accomplish but fails.
I actually find the idea of Hellraiser expanding out into space to be a fairly promising, if under-realized in this film, premise that lends the series a bit of Lovecraftian cosmic scope. Potential aside, however, Bloodlines fails to hit the mark, though it turns out it’s not nearly as bad a film as I originally assumed it would be.
I, like many people, loved the first two Hellraiser films, and as they garner some modicum of respect, I decided it was best to skip over them and go directly to the one featuring a wisecracking Cenobite with a video camera embedded in his head.
In fact, judging from the man’s writings alone, I’d imagine that any attempt by him to describe any normal type of human sexual congress would be one of the most excruciatingly awkward, squirm-inducing things you could possibly read.
Event Horizon is an almost great movie that loses its way and relies on too many scenes from other movies and too many cheap jolts.
If you like the AIP Poe films or don’t mind lots of dialog, this is a good old-fashioned occult thriller that winds up being a great way to spend midnight, provided you don’t have any decadent rich parties that devolve into an orgiastic ritual lorded over by a vampire to attend at midnight.
One of the most wild and creative visions of Hell comes from Japan, and more specifically from the gloriously twisted imagination of famed horror director Nobuo Nakagawa.