The special thing about Turkish pulp films is how, even at their most plagiarized, they can serve as an example of just how unique a complete rip-off can be. After all, no one ever mistook Turkish Star Wars for regular Star Wars, or Bedi, the Turkish E.T., for E.T., the American E.T. And the same…
If you wanted to live in the Philippines, it would help if you really, really liked Jesus. A lot. With a Catholic majority of at least 85%, the nation is the third largest predominately Catholic country on Earth, and the largest in Asia (with East Timor being its lone competition). And, for the most part,…
I had pretty high expectations going into this film — not that it would be good, but that it would hilariously, confoundingly weird. And I was not disappointed. But I discovered that it was also actually pretty good.
There’s almost a competent movie contained within the running time of Bhoot ke Pechhe Bhoot, though Kishan Shah never gets around to actually making it.
Based on a story by Ukrainian-born writer Nikolai Gogol, Viy is the story of good-for-nothing layabout Khoma (Leonid Kuravlyov), a scholar from the local monastery who with his two friends is on his way home for a break from the rigors of not really applying himself to his studies. To be fair to Khoma, he seems no worse than the rest of the students, who follow their release from seminary school with goose-theft, drunken carousing, and occasional grab-ass.
One gets the feeling, however, that if a potential creator of outsider art suddenly found himself in possession of a movie camera, some plastic Dracula fangs, and half a dozen cheap novelty wolfman masks, the resultant film would look something like Shaitani Dracula.
The failure of A Chinese Ghost Story: The Animation wasn’t solely in the American arena, either. If Tsui Hark had been hoping to kick off an era of new Chinese animation, he didn’t pull it off.