On The Cultural Gutter, Kungfu-Powered Afrocyberpunk Pulp is a look at Steven Barnes’ 1983 novel Streetlethal, which is sort of cyberpunk meets Mack Bolan starring Luke Cage in a story about magic orgy mushrooms.
On Cultural Gutter, I’m Neuromancin’ with Myself. The early 1990s was when I read Neuromancer. Into this maelstrom of personal evolution and conflicting feelings came Billy Idol’s Cyberpunk.
As a fan of cyberpunk from the 1980s, I often wonder if there’s any decent example of the genre that makes sense in what is basically our post-cyberpunk reality. Cyberpunk for a Cyberpunk World looks at why cyberpunk didn’t survive, why it should have, and how David Louis Edelman’s Jump 225 trilogy is the best example of post-millennial cyberpunk literature
It is “the future,” but not too far in the future. Earth has been ravaged by nuclear war and a plague, leaving the place in tatters. The United States is a smattering of fortified cities isolated from the larger landscape of desolation.
At the top of my list of experiences I don’t need recreated for me by a movie would be the frustrating tedium of phone-based customer support.