All in all, brains aren’t really scary – at least up until that moment when you see one pick up a hammer with its spinal cord and come flying at you.
On The Cultural Gutter, Kungfu-Powered Afrocyberpunk Pulp is a look at Steven Barnes’ 1983 novel Streetlethal, which is sort of cyberpunk meets Mack Bolan starring Luke Cage in a story about magic orgy mushrooms.
On the Cultural Gutter, we’re going on a tour of the universe via The Cosmic Crooner, all about Frank Sinatra’s bizarre Trilogy, a third of which is devoted to a swingin’ tour of the future.
The early 1990s was also when I read Neuromancer. I read it enthusiastically, devoured every word, and fell in love not so much with the story but with William Gibson’s proficiency with the written word. Into this maelstrom of personal evolution and conflicting feelings came Billy Idol’s Cyberpunk.
Author Jack McDevitt takes the guesswork, extrapolation, interpretation, and occasional total bullshit of assessing the meaning of ancient detritus and ruins and places them in the future, in a time when humanity has begun uncovering the ruins of long-vanished alien civilizations
On The Cultural Gutter, I’m taking a look at diversity in science fiction. Specifically, Syfy Gets Diverse looks at the Syfy Channel television shows Killjoys, Dark Matter, Defiance, and The Expanse, all of which feature gender and racially diverse ensemble casts.
Over on The Cultural Gutter, In This Green and Pleasant Land examines Children of the Stones, regarded to this day as one of the smartest, weirdest, scariest slices of children’s television programming ever produced.
A long time ago, George Lucas hired Alan Dean Foster to write a sequel to Star Wars, operating under the assumption that Star Wars might not make much money, that the sequel would need to be really low budget, and that Harrison Ford would refuse to reprise his role as Han Solo. On the Cultural…
Over on the Cultural Gutter, I’m taking a look at Brian Lumley’s first three Titus Crow novels, in which he turns Lovecraft’s Cthulhu Mythos on its ear. Now Cthulhu is Blofeld examines Lumley’s preference for men of action, eschewing Lovecraft’s terrified academics in favor of two-fisted psychics flying around in magic clocks, shooting lasers at…
In 1935, Fantasy magazine contracted five of the most popular pulp magazine authors to write a round-robin style story, with each contributing a page or two before passing it on to the next author. On The Cultural Gutter, The Challenge of the Challenge from Beyond looks at how these five accomplished professionals created something about as good…
I’m celebrating the 40th anniversary of The Rocky Horror Picture Show. The world doesn’t need another review of the movie, so Whatever Happened to Saturday Night? is instead a mini-memoir about my first time seeing the movie, at Louisville’s Vogue Theater in 1987
This month on The Cultural Gutter, I’m tackling Ann Leckie’s Hugo Award winning space opera Ancillary Justice. That’s What She Said examines the awesome sleight-of-hand Leckie pulls by writing a pretty straight-forward, old-fashioned space opera with one tweak.