Everything Gets Boring
On Diabolique, I’m continuing to explore British underground cinema and the BFI Flipside series. Deep End explores the disappointing end of the 1960s and the awkwardness of coming of age.
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One Slow Descent into Respectability
On Diabolique, I’m digging into one of the most famous scandals in modern British political history, not to mention Pleasure Girls, the bubbly tale of optimistic young ladies struggling to make it in the big, swingin’ city.
Read moreMachine Made Dirt
On Diabolique, I’m exploring underground British cinema by way of the BFI Flipside series. First up: wild jazz beatniks on a lust-fueled rampage! It’s Gillian Hills in Beat Girl.
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