When last we saw Baron Victor Frankenstein, he was being marched to the guillotine to face a beheading for the murders committed by his man-made man, not to mention the murders in which he himself dabbled. Well, you can’t keep a good mad scientist down, and there are none better or madder than Cushing’s Frankenstein….
Ho hum, the mummy again. That wouldn’t normally be my reaction, as I’m rather a fan of mummies and the havoc they wreak upon the living, but this entry into the Hammer compendium of vengeful Egyptian crypt guardians manages to do very little beyond eliciting a yawn. The Mummy’s Shroud’s problems are several, and not…
Paul investigates and discovers that all of them were clients of Christine. There’s also the body of a poor sewer man with no dialogue other than “Aarrgghh,” played Michael Ripper.
Even though it never really becomes a swashbuckling adventure (although Peter Cushing does get to swing from a chandelier) or a horror film, Hinds exploits the trappings of both genres to create a thrilling hybrid driven by strong characters and solid British acting.
And we were doing so well! Most movie studios can’t sustain the quality of a film series beyond two films — and quite a few have problems even getting that far. It was no small feat, then, that Hammer managed to produce not one, but two consistently good series. Their Dracula and Frankenstein films set…
If Brides of Dracula is the forgotten Dracula film, I can’t imagine it will stay that way for very long. It’s simply too good. Maybe not quite as good as the original, but definitely the equal of the next sequel, Dracula, Prince of Darkness, which saw the return of Christopher Lee to the role of Dracula.
The look and style of a Hammer film would become as much a trademark as the blood, the buxom beauties bursting out of their bodices, and Christopher Lee and Peter Cushing chasing after one another and wearing those Victorian overcoats.
Hammer rushed out two more horror-scifi amalgamations, then in 1956 went to work on what was to be their first in a series of films that were, depending on who you are, either adaptations of classic works of British gothic horror, or remakes of old Universal Pictures horror films.