It’s been too long since we last visited the bizarre world of cut-rate Korean cartoons made by a Chinese guy using Japanese robots and characters and marketed toward Australian television, so let us once again steel ourselves for the bad acid trip that is a Joseph Lai produced cartoon. Lai, to bring up to speed…
I once stayed at a place in the Smoky Mountains that was a combo motel and biker bar. The toilet in my dingy room was a hole cut in the floor of the bathroom, covered with screen door mesh and with a stucco bucket sitting on the ground beneath it. Solar Adventure is another Korean…
Drac’s dialogue was choice, and the comic was full of half-naked vampire chicks, crossbows, cane swords, reanimated corpses, and bikers in furry lambswool vests and droopy mustaches
The failure of A Chinese Ghost Story: The Animation wasn’t solely in the American arena, either. If Tsui Hark had been hoping to kick off an era of new Chinese animation, he didn’t pull it off.
Anyone who is a fan of colossally, brain-fryingly bizarre and incompetent films, anyone who is a fan of old anime and will love playing spot the influence (and sometimes you can spot a couple influences on one robot, as bodies and heads are switched with reckless abandon), and I guess anyone who would want to see a giant robot space opera that randomly cuts to a whole strange TRON sequence, then Space Thunder Kids is well worth the dollar.
Gandahar makes the cardinal mistake of being a movie about people struggling to escape the iron grip of a merciless, mechanical, totalitarian regime, then it went and got itself animated in North Korea
Tales from Earthsea fails as a movie on pretty much every level other than background painting. Because I try to be positive, I will say that whatever slave wage artists Goro had drawing the backgrounds, especially in the city scenes, earned their paycheck.