The shame here — or at least one of the many shames — is that, with films like Nagin and the original Jaani Dushman, Raj Kumar Kohli demonstrated a genuinely quirky sensibility, while at the same time proving that he could draw in a popular audience. Jaani Dushman: Ek Anokhi Kahani, on the other hand, demonstrates the culmination of a gradual grinding down of that sensibility.
You’ve perhaps picked up a dvd because its cover bore a picture of, say, Amitabh Bachchan in shades and a bowtie carrying a scope rifle with something blowing up in the background, only to find that the movie contained therein had a couple of underwhelming action set pieces, but was mostly three hours of some guy crying about his mom.
Many of Tahalka’s exteriors and larger scale action sequences are accomplished by means of some particularly dodgy model work, which means that portions of Tahalka look like an especially half-assed episode of Thunderbirds.
For a movie as silly as Mr. India to sweep you up in its enthusiasms — getting you to root for an invisible Indian everyman against a jackbooted cartoon straw man called Mogambo — is pretty impressive in its own right.
Commando tells the story of young Chandu, who’s name changes in the subtitles to Chander about halfway through the movie. Either way, I’m simply calling him Commando, in honor of his arch nemesis being named Ninja. The movie begins when Commando is but a boy, and his father is the commando of the family, prone…