Ra.One

I’ve got a weird fascination with superhero movies from places other than the USA. Since X-Men (2000) and particularly Spider-Man (2002) demonstrated the possibilities of adapting comic books with a previously unthinkable level of faithfulness to the source material, superheroes have become a staple of Hollywood’s output. And with cash tills ringing in spades for…

I Am Number Four

I was uhm-ing and ahh-ing about reviewing this one given it’s a film with a rather high level of tween-girl appeal, and I didn’t want to tarnish my stout-yet-manly Franco Nero-in-Enter the Ninja image. But then Keith admitted to watching Red Riding Hood and I figured why not? Teleport City is after all built on…

Red Riding Hood

It was assumed when the Twilight novels and movies took over the universe, that we would be inundated with similar works of weepy, melodramatic teen supernatural romance. While that may have been the case in literature — assisted no doubt by the fact that self-publishing for e-book readers means anyone with enough determination to finish…

Sector 7

Sector 7 is the very worst kind of movie with which to be confronted. OK, maybe not. Maybe What Happens in Vegas is the very worst kind of movie with which to be confronted, but since that’s not the sort of movie I seek out, and Sector 7 is, then the wounds I suffer at…

The Extraordinary Adventures of Adele Blanc-Sec

When Teleport City reviewed the French science fiction animated feature Gandahar, we delved into the history of French sci-fi in animated and comic form, including the birth of Metal Hurlant, the comic magazine that, when it was licensed for publication in America, became Heavy Metal. Tackling Luc “The Destroyer of French Cinema” Besson’s whimsical fantasy-adventure…

Eaters

At the time of this writing, we’re at a point where a good deal of film fans are suffering from an affliction that has become known as “zombie fatigue.” Thanks in no small part to video games, zombies began to shamble their way out of the niche horror market and into the mainstream. And then,…

Little Big Soldier

Little Big Soldier returns Jackie to the period setting of his older movies, something he hasn’t done often since the late 1970s. The Myth saw Chan trying his hand at the sort of sweeping period epics that became all the rage in the wake of Crouching Tiger, Hidden Dragon and Hero, and just not getting it right.