The script should be giving us something more to root for in Sang-hwan other than “he’s the Chosen One,” but he never really gets much character redemption. He’s a lunkheaded, inconsiderate buffoon when we meet him, and he remains as such throughout the movie. I was wishing he would just get shuffled to the background.
For anyone who ever watched Indiana Jones and the Temple of Doom and was disappointed that, for all its over-the-top absurdities, it didn’t feature a scene where Harrison Ford punches a midget and makes him fly across a field, then Naksha is the movie for you. Only it’s not Harrison Ford doing the punching; it’s…
Yatterman is a colorful, overblown, largely idiotic live-action adaptation of an anime series from 1977. It’s also a painful illustration of every weak point wildly hit-or-miss director Takashi Miike possesses, while at the same time it fails to highlight any of the thing he does well. Miike’s staunch unwillingness to make anything less than 14,000…
This is a film for people already initiated into the ways of Harinam Singh, rather than a film that is going to convince you to donate your worldly possessions to the man and join his cult (in the cult’s defense, he will use your worldly possessions to finance another rubber mask monster movie).
Japanese martial arts films have almost ceased to exist, with there being little more to the genre anymore than CGI movies or no-budget T&A stinkers. So a bunch of karate guys woke up one day and thought to themselves, “you know, maybe we should be the guys making karate movies.”
There’s almost a competent movie contained within the running time of Bhoot ke Pechhe Bhoot, though Kishan Shah never gets around to actually making it.
The dream of High Kick Girl was to take the Japanese martial arts movie back from the fumbling hands of CGI-heavy fantasy films and boob-heavy sexploitation stinkers full of AV idols flopping about and calling it karate, and return the martial arts film to the stewardship of people who actually care about it.