I had to watch this movie more than once to verify that George Lazenby actually has more dialog than just, “Hmm? Hmmmmm,” mumbled with that smug chin-in-the-air look as if to say he has discovered something important and must now jut forth his chin and stroke it slyly. Who the hell does he think he…
Kaiju films were old hat in Japan by the 1970s, but elsewhere in Asia the giant monster film industry was only just getting going. Inspired by Japanese movies like Godzilla and, even more so, television shows like Ultraman and Kamen Rider, aspiring (or canny) filmmakers (or hucksters) in Thailand, Hong Kong, and Korea decided they…
World, you spoil us. No matter how much we’ve seen — and we have seen a lot — you always have something else waiting in the wings to delight and make jaws hang slack. Martial arts films are especially fecund soil for stories that operate in the far margins of loony concepts, made all the…
If you want to see Felix Leiter from Goldfinger hopping around naked in bunny ears – and who among us can say they don’t? – this is the film for you.
You can throw rubber fish at us all you want, but that’s not going to stop Doug McClure from punching a giant Octopus in the face, and it’s not going to stop me from a guest appearance on the Hammicus podcast to discuss Warlords of Atlantis.
Hot on the heels of High Crime, director Enzo Castellari and actor Franco Nero take another stab at the poliziotteschi genre, this time turning to Charles Bronson’s Death Wish.
As latter-day Hammer films go, The Vampire Lovers is an entertaining, sexy romp. It relies less on the hammy scare tactics of the later Dracula series and more on the audience’s assumptions.
Paul investigates and discovers that all of them were clients of Christine. There’s also the body of a poor sewer man with no dialogue other than “Aarrgghh,” played Michael Ripper.
The Twilight People is what it is, but it is also an example of the best of what it is: an outstanding and colorful piece of trash entertainment. Makes me wish I could have seen it in the drive-in
By the time The End appeared on the television screen, we’d seen tongue-waggling ghosts, bug-eyed zombies, and that most treasured of kungfu film appearances — the kungfu gorilla.
Sheer craziness and dark tone compensate for the areas where the film could have been better – low-budget production value, the obvious arms stuffed inside shirts and the hokey special effects.
Hercules curses Lucy, telling her she’ll have a baby that will be possessed by the Devil. It’ll also be a giant, as big as he is small. The baby, irritatingly, remains resolutely normal-sized.