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Amazing Captain Nemo

So, The Amazing Captain Nemo is just-about-passable afternoon matinee entertainment, assuming you can roll with the ropey model FX. And I also now know for certain that even the addition of sweet laser-equipped scuba thrusters isn’t enough to make diving sequences interesting.

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Rani Mera Naam

Like all of Doss’s action films, the director’s signature combination of cartoon-ish style and nonstop carnage is enough to leave you in a state of “did I just see that?” disbelief even in the immediate aftermath of watching it, thus making it a prime candidate for compulsive re-viewings.

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Amazons vs. Supermen

This can’t be right, I thought. This sounds awesome, but I distinctly remember the movie being so incredibly boring that I almost gave up on finishing it. But then the fog cleared, and I remembered that part of what makes Amazons vs. Supermen such a colossal disappointment is that, in summary, it sounds like so much fun. But it isn’t.

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When Women Lost Their Tails

With When Women Lost Their Tails, what we get is like the lyrics of a Gang of Four song acted out within the context of a slightly naughty fanfic version of The Flintstones. If nothing else, it certainly makes for unique viewing, and offers enough in terms of audacity alone to keep one watching until the end.

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Dynamite Johnson

Dynamite Johnson is pretty much a textbook example of a filmmaker proving his exploitation acumen by making the most of both his resources and concept. “What textbook?,” I hear you ask. “Where can I get it? Will I be tested on this?” Shut up. No such book exists. But if it did, you could certainly…

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Hare Rama Hare Krishna

A serviceable if somewhat awkward masala adventure, very much in the spirit of old exploitation films that seek to teach us the perils of assorted alternative lifestyles even as they indulge in endless scenes of said lifestyle.

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If Footmen Tire You, What Will Horses Do?

Films such as Footmen, as mentioned before, would typically be shown in small churches, and would be followed by an altar call, during which those audience members who had yet to do so, shaken by what they had seen, would step forward and, just as Judy had done at the film’s conclusion, accept Jesus Christ as their lord and savior.