The first team-up between director Roger Corman, star Vincent Price, screenwriter Richard Matheson, and source material Edgar Allan Poe is a moody, creepy high point in the mood, creepy world of Gothic horror films.
It’s great to see Christopher Lee back in action again as the count, and really, that alone is enough to make this film enjoyable. Lee swore this would be the final time he’d play Dracula for Hammer. He was, naturally, back again as the count very shortly there after.
If Brides of Dracula is the forgotten Dracula film, I can’t imagine it will stay that way for very long. It’s simply too good. Maybe not quite as good as the original, but definitely the equal of the next sequel, Dracula, Prince of Darkness, which saw the return of Christopher Lee to the role of Dracula.
Anyone claiming that Spirits of the Dead isn’t a good movie is probably only just saying that because Vadim’s contribution to this anthology of Edgar Allen Poe adaptations as conceived by three of Europe’s maverick directors is so sloppy and unengaging. Vadim’s contribution, “Metzengerstein,” is certainly not the way you’d want to start a film….
Problems abound, but in the end, I still found this a plenty pleasing epic tale where the best parts are in the least epic moments and within not the story of Jesus, but in the many subplots and supporting schemers.
One of the most wild and creative visions of Hell comes from Japan, and more specifically from the gloriously twisted imagination of famed horror director Nobuo Nakagawa.
When one thinks of the myriad espionage exploitation films that flickered across movie screens in the wake of James Bond’s unprecedented success as a film franchise, one generally thinks of the countless cheap though often entertaining Eurospy entries into the genre. After all, there were scores of them, and a lot of them weren’t half…