Russian author Aleksey Nikolayevich Tolstoy wrote the stories that served as the source material for two of the Soviet Union’s best-known science fiction adventures: the futurist fantasy Aelita, Queen of Mars and the Fantomas-inspired pulp thriller The Hyperboloid of Engineer Garin. Aleksey Nikolayevich Tolstoy was Russia’s less internationally known Tolstoy. While the one was writing…
It is logical, and it seemed easy enough, to begin a discussion of The Cat and the Canary with a discussion of the history of “old dark house” mysteries — those movies where a disparate and largely shifty group of people convene upon a mysterious old mansion and find themselves embroiled in — and probably accused of — either a murder or a theft.
Though our modern eyes might see The Godless Girl as containing, at best, the makings of a solid “B” type feature, DeMille clearly saw himself as making an epic.
But then, Fanck goes and does something like the shot of Johannes outside, smoking a cigarette while sitting on an old wooden fence with the whole of the Alps spreading out behind him, and it pulls you right back in. Silent films trade in images, by necessity, and Fanck manages on many occasions to capture scenes of iconic beauty.