Over on the Cultural Gutter, I’m taking a look at Brian Lumley’s first three Titus Crow novels, in which he turns Lovecraft’s Cthulhu Mythos on its ear. Now Cthulhu is Blofeld examines Lumley’s preference for men of action, eschewing Lovecraft’s terrified academics in favor of two-fisted psychics flying around in magic clocks, shooting lasers at Cthulhu and his minions, which have been reduced to a bunch of B-grade Ultraman monsters.
A crumbling ruin. A mist-shrouded forest. A lone samurai making his way home late at night meets a seemingly defenseless young woman. So begins the horror of Kaneto Shindô’s tale of ghosts, vengeance, and the wrongs visited upon women by entitled men.
In 1935, Fantasy magazine contracted five of the most popular pulp magazine authors to write a round-robin style story, with each contributing a page or two before passing it on to the next author. On The Cultural Gutter, The Challenge of the Challenge from Beyond looks at how these five accomplished professionals created something about as good as a fourth grade class undertaking the same assignment.
In an admission that will surprise no one, I’m a big fan of the website Atlas Obscura. And not too long ago, worlds collided when my job working for vice beat for Alcohol Professor led me to the streets of Chinatown after dark to cover Atlas Obscura’s Cheater’s Party: A School for Scoundrels. What follows is…
September is Bourbon Heritage Month, and while the idea of limiting my celebration of bourbon to a single month is hilarious, I have never the less chose to honor the month on Alcohol Professor by writing about my old home, Oldham. How Dry I Am is a look at how a dry county came to…
Examples of Egyptian filmmaking date back to the beginning of the 20th century, with Cairo becoming a hub of commercial filmmaking in the Arab world with the introduction of sound. It was there that the country’s first “Hollywood-style” film studio was established.
Polish director Wojciech Has harbored no desire to make a political film. But in Poland under Soviet rule, where film promoting social realism was the mandate, not being political was the most political thing he could do.