Hammer rushed out two more horror-scifi amalgamations, then in 1956 went to work on what was to be their first in a series of films that were, depending on who you are, either adaptations of classic works of British gothic horror, or remakes of old Universal Pictures horror films.
This time around it’s French bombshell Brigitte Bardot. Granted, constructing your movie around Brigitte Bardot wearing outrageous outfits (or nothing at all) and parading around a series of equally outrageously designed space-age pop sets is certainly not a bad thing.
Problems abound, but in the end, I still found this a plenty pleasing epic tale where the best parts are in the least epic moments and within not the story of Jesus, but in the many subplots and supporting schemers.
The horror boom in Japan didn’t have any one cause, but it did have one big ingredient that made it a success: young girls. Under normal circumstances, saying that young girls were a key to the success of anything horror related would mean that young girls, possibly in wet white shirts, were prominently featured in…
But if you want to see the one film out of all of them that shows Bruce Lee at his finest in all ways, the one film that has the most Bruce Lee in its heart, the one film that, more than any of the others and despite its rough edges, defines where Bruce wanted to take the genre, then you have to see Way of the Dragon.
What better place for poorly realized grandiosity wrapped in pompous claptrap and aspirations of greatness than a big, expensive sci-fi CGI film based on a supposedly important comic book by a French guy?
One of the most wild and creative visions of Hell comes from Japan, and more specifically from the gloriously twisted imagination of famed horror director Nobuo Nakagawa.
This classic from the vaults of Hong Kong’s illustrious Cathay Studios begins with a shot of Golden Age screen icon Grace Chang shaking her bon-bon to a Latin-flavored mambo number while wearing cute, checkered capri pants. It’s already one of the best movies ever made in my book
When one thinks of the myriad espionage exploitation films that flickered across movie screens in the wake of James Bond’s unprecedented success as a film franchise, one generally thinks of the countless cheap though often entertaining Eurospy entries into the genre. After all, there were scores of them, and a lot of them weren’t half…
Scary movies are hard to come by. Gory? No problem. Sorta cool and creepy? Sure, we got those in spades. But genuinely scary movies are rare as diamonds and, to be, infinitely more valuable. There is something wonderfully affirming about watching a movie that keeps you awake at night, that gives you eerie nightmares. There’s…
In the case of the oft-forgotten Indiana Jones rip-off, Treasure of the Four Crowns, all anyone could remember was “something about a lot of flaming rocks swinging around on really obvious wires.”
It’s bombastic, it’s flashy, it’s innovative. It has something to say even if people seem not to hear it. But none of that matters much if it isn’t an enjoyable film, and I thought Nowhere to Hide was simply fascinating.